A Weekend for Stained Glass Windows

REVISED as below in red.

Light shining through a church window can be like God’s light offering solace to one’s heart. On Saturday and Sunday, January 25 and 26, Dan Aubrey (of Community News NJ and U.S. 1 Newspaper) offers stained glass window tours in Trenton and Princeton. Aubrey is a long-time appreciator of beautiful windows who has written about windows for his publications, and he has a Facebook page, Stained Glass Project of Greater Trenton and Princeton. 

In Trenton, come to ST. MICHAEL’S EPISCOPAL CHURCH, 140 N Warren Street, on Saturday, January 25, 2020 at 3 p.m. Here, you will see glass by Tiffany, the Victorian England-era Kempe Company, and the NJ-based Lamb Company. Aubrey will present a slide show of the area’s stained glass and then lead the group across the street to the CATHEDRAL OF ST. MARY OF THE ASSUMPTION to see creations by the former Edward Byrne Company in Bucks County.

In Princeton, come to PRINCETON UNITED METHODIST CHURCH (PrincetonUMC) on Sunday, January 26 from noon to 1 p.m.  Dan Aubrey will speak at 12:30 p.m and town-wide tour handouts will be distributed.  (The schedule has changed in order to accommodate a special service. Please email windows@PrincetonUMC.org to schedule additional times). Take the guided or self-guided tour of this 1910 Arts and Crafts style church, with its Tiffany window and other windows with glass that is milky, not translucent. Discovered at the end of the 19th century, this “opalescent” glass could have different shades and colors in a single piece. In the balcony, the Tiffany window shows St. George and the Dragon. In the next room is a spectacular triptych by Louis Lederle, a former Tiffany artist, and the adjoining chapel has some sweetly sentimental windows dating from the 1940s.

Aubrey will lead the group to three other churches in Princeton: St. Paul’s, the University Chapel, and Trinity Church on Mercer Street. Princeton UMC remains open until 3 p.m. Please email windows@PrincetonUMC.org to schedule a time convenient to you. All are welcome, and the tour is free. Click here for details.

Summer Sharing: Duncan Hartley

george by duncan
Photo by Duncan Hartley

Many wonder why PUMC’s Tiffany window shows St. George and the Dragon. “The legend of St. George and the Dragon is simply an allegorical expression of the triumph of  the Christian hero, or the church, over evil,” says Duncan Hartley. “Having dared to criticize a Roman emperor, St. George was subjected to horrible torture. ”

Duncan will talk about the window in the Summer Sharing series on Sunday, August 28, at 11:15 a.m. (after the 10 am service) in Fellowship Hall. His title: “My Life Through a Lens: from Shakespeare to St. George.” 

The dragon has been a Christian symbol of sin since the Middle Ages. The metaphor is taken from Revelation 12:9 where Satan is termed “the great dragon” and “that old serpent.” In Psalm 91:13 it is written that “the dragon shalt thou trample under feet.”

Christian art and literature has made frequent use of this symbolism. “Tudor duncanpoet Edmund Spenser, for example, named the Redcrosse Knight as the champion of holiness in The Fairie Queen,” says Duncan. “The knight and Una, representing the true religion, are finally betrothed after he has killed the dragon. The figure Gloriana represents glory in the abstract, and Queen Elizabeth I in particular. ” St. George became the patron saint of England in the 14th century and is now the patron saint of Moscow. Many of the most famous artists depicted St. George, and almost every major museum has a painting of him.

 

2016 august George Tiffany Durrell label 8246450915_8693f1433d_b
Photo by Duncan Hartley

 

St. George and the Dragon Window

Our 105-year-old building has a spectacular stained glass window from the renowned Tiffany Studio of New York City. How did PUMC acquire a window with such an unusual subject?

It was the gift of the family of William Edward “Eddie” Durrell, a Methodist preacher’s son who – while he attended Princeton University – made PUMC his church home. Eddie graduated in 1889 and two years later met an untimely death in Rome, perhaps because of an aneurism. His father (Reverend Edward Hicks Durrell, who had invested in cranbury bogs in South Jersey) and his brothers — grateful for what the church had offered Eddie – commissioned the window symbolizing the triumph of good conquering evil.

Most images show St. George on a horse in the act of spearing the dragon. This memorial window shows an athletic young man, sword sheathed, as if to say “the battle is over, he fought the good fight, he conquered evil.”

PUMC has many stained glass treasures, including the Corson Chapel windows and the “Let the children come to me” mural in the Sanford Davis room.  In the sanctuary, our windows of the four Gospel writers  can also be found in the cathedral in Cologne Germany. The windows with abstract and symbolic designs are beautiful.

The St. George window, by the studio of Louis Comfort Tiffany, is the most valuable of our treasures. As Pam Hersh said in her column, it is ‘a spectacular piece of art in a surprising space.” Tiffany revolutionized stained glass art. While the Europeans fired paint directly on the glass, effectively dulling its natural transparency, Tiffany managed to create vivid color in the glass itself, and he etched details with acid instead of using paint. He layered multiple panels to create unparalleled clarity, and the windows shimmered on both sides.

Tiffany also redefined the use of leading. Traditionally, it was purely functional and thought of as little more than support for the glass. As a result, the lead tended to distract from, rather than enhance, the artistic vision. That is until Tiffany developed new techniques that allowed the metal to become an integral part of the design, and the once clunky lead lines were transformed into elaborate outlines for things like tree branches and butterfly wings — or, in this instance, cathedral windows.

The only other Tiffany windows in Princeton are on campus at Alexander Hall and Jadwin Hall. The best view of “Saint George and the Dragon” is from the back pew of the balcony. Look for the iridescent scales on the dragon (Tiffany patented that method as @Favrile), and also note the Tiffany signature on the right.

Source: Ruth Woodward in A Journey of Faith for One Hundred Fifty Years: A History of Princeton United Methodist Church and Elizabeth E. Evitts, Baltimore Magazine.